French people

Badgley Mischka Fall 2022 Ready-to-Wear Collection

The Badgley Mischka woman wants what she wants! Some people may be struggling to fill their post-pandemic social calendar, but the brand’s customers have never been more interested in closing times. Sales of their prom dresses, sequined suits and evening wear have hit an all-time high, and their customers continue to demand more options, especially when going out. With that in mind, Mark Badgley and James Mischka aimed to make their wish come true with an evening-focused fall collection. After a pre-fall collection steeped in West Coast nostalgia, they’ve shifted gears to focus on glitz-worthy pieces of 2022. Granted, you don’t have to be one of the beautiful people to find out. their clothes, but it would take some effort to feel ordinary in one of the season’s playfully over-the-top dresses.

Fittingly, the first sparks of inspiration came from Cecil Beaton, whose polished portrayals of socialites and royals helped define an era of nightlife. Thinking back to their years as students of Parsons, the designers found themselves revisiting British-American fashion designer Charles James, whose rigorously tailored evening wear often featured in Beaton’s imagery. “There was this photo of James’ ball gowns in this fantastic salon,” Mischka says of the 1948 photo of models like Dorry Adkins, Carmen Dell’Orefice and Dorian Leigh taken in the French & Company salon. “People want to be outside again, and this image captures just that,” he said. “We wanted to make a big move this season with lavish and impactful dresses.”

Luxurious is an understatement. They were expensive looks, the kind too fabulous for an average cocktail party. If you had to leave the house while the sun was up, there were cloche hats, shearling coats and pretty day dresses, but the real fun was for after dark. While softer looks like an empire waist tulle dress decorated with silk rosettes were present, many pieces channeled James through highly structured design. Extreme silhouettes look great in photos, but they can be tricky to wear. Updating the concept meant using high-tech materials. “We’ve worked with many vintage-looking fabrics, but they’re all infused with modern technologies like stretch fibers,” says Mischka. “Our client wants to look glamorous and feel comfortable; she’s not going to suffer for a look.

The ambiance may have been overdone, but the embellishment was minimal. “We’re obviously known for our embroidery and beading, but we’ve integrated that a bit,” says Badgley. “It was more about tailoring, tailoring and fabric manipulation.” As a result, dresses took on a sculptural quality, their knots and twists forming curves that hugged the body in inventive ways. The sleeves were adorned with oversized ruffles or layers of bows, while the bodices received ruched detailing that swirled around the bust like a fan. Hints of sparkle were there – notably on a series of breezy dresses that used multiple textures in a single color – but the materials that received the most attention were matte and malleable, able to shape into stark silhouettes worthy of the seal. of approval from James. .